Comments for Heuretics http://heuretics.wordpress.com Inventing Electracy Tue, 30 Apr 2013 12:12:21 +0000 hourly 1 http://wordpress.com/ Comment on Painted Definitions by indonesia-Equal-life.blogspot.fr http://heuretics.wordpress.com/2009/05/17/painted-definitions/#comment-9928 Tue, 30 Apr 2013 12:12:21 +0000 http://heuretics.wordpress.com/?p=735#comment-9928 Great blog! Do you have any suggestions for aspiring writers?

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]]> Comment on Painted Definitions by Henry http://heuretics.wordpress.com/2009/05/17/painted-definitions/#comment-9842 Sat, 20 Apr 2013 13:13:11 +0000 http://heuretics.wordpress.com/?p=735#comment-9842 It’s in reality a nice and useful piece of

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]]> Comment on Electracy by glue http://heuretics.wordpress.com/electracy/#comment-9023 Wed, 02 Jan 2013 22:06:12 +0000 http://heuretics.wordpress.com/?page_id=63#comment-9023 It is appropriate: the assumption of apparatus theory is that metaphysics (including ontology) is relative to technology in institutions (+ identity formation). Aristotle’s Categories are based in Greek (Indo-European) Grammar and may be elaborated into analytical method via writing. The digital apparatus (electracy) supports multi-modal-media, recording full motion image and sound, which enable and demand an upgrade of metaphysics. I have addressed this opportunity in most of my books (and still working on it). The continuing role of theory/philosophy, in the spirit of bootstrapping, is to invent experimental tests of the new ontology by analogy with how literate ontology was invented in Classical Athenian Academies. A vibrational (musical?) ontology may not be designed only via sound devices, for example. In general, via synesthesia, it seems possible in principle to engage the entire sensorium in an electrate metaphysics.

]]> Comment on Electracy by dave wall http://heuretics.wordpress.com/electracy/#comment-9022 Wed, 02 Jan 2013 19:52:17 +0000 http://heuretics.wordpress.com/?page_id=63#comment-9022 Thanks for a great discussion!

Here are some thoughts that have occurred to me recently regarding this discussion. I am only beginning to think about this so this is largely unformed.

How does electracy affect, and how is it affected by vibrational ontology? Electracy is a more sensual/physical, immersive experience (given its link to real-time tech and by extension virtual reality) than literacy which produces sensual experience internally. Since sound is the most immersive of the senses, it seems appropriate in this context to explore a vibrational ontology. Music as an organizational force would have something to contribute here.

Thoughts?

]]> Comment on Be the Polo by glue http://heuretics.wordpress.com/2011/07/06/choral-polo/#comment-1803 Sat, 09 Jul 2011 13:26:23 +0000 http://heuretics.wordpress.com/?p=1133#comment-1803 in a modern reading of the game as allegory of the human condition I am all the components in their interaction (just as Freud observed about dreams: the dreamer plays all the parts).

]]> Comment on Extimacy by glue http://heuretics.wordpress.com/2011/06/16/extimacy/#comment-1746 Thu, 16 Jun 2011 23:43:29 +0000 http://heuretics.wordpress.com/?p=1112#comment-1746 Right: and that painting of shoes is the one featured in the debate between Heidegger and Derrida, which is a good excuse to follow Van Gogh as a line of flight.

]]> Comment on Extimacy by Amr Elsherif http://heuretics.wordpress.com/2011/06/16/extimacy/#comment-1745 Thu, 16 Jun 2011 23:19:19 +0000 http://heuretics.wordpress.com/?p=1112#comment-1745 Very interesting! It is also known that Cezanne once commented on one of Van Gogh’s paintings of shoes saying that he could see Van Gogh himself incarnate in the shoes.

]]> Comment on Puente Trajan @ Alcantara by glue http://heuretics.wordpress.com/2011/04/30/bridge/#comment-1659 Fri, 20 May 2011 19:22:43 +0000 http://heuretics.wordpress.com/?p=1104#comment-1659 The memory of Alcantara is a scene of decision, intimating through its elements the forces operating at all levels (microcosm, macrocosm). There is an encounter of four temporal dimensions: the olive orchard (seasonal cycle); the Roman bridge (historical chronology); human maturation (cultural stages, youth abroad); train schedule. Each one contributes to a conversation, a perplexity, forming an impasse. The scene records a pause, an opportunity (kairos), an invitation offered once only.

]]> Comment on Electracy by Nancy McGartland http://heuretics.wordpress.com/electracy/#comment-1375 Thu, 10 Mar 2011 01:40:13 +0000 http://heuretics.wordpress.com/?page_id=63#comment-1375 This is really fun to read because it’s something I’ve been wondering about since I read Nicholas Carr’s Atlantic article, “Is Google Making Us Stupid?” No, really, since 1997, when my husband, Daria, and I, had an argument in our driveway about the reading culture transforming to an image culture. I buy it; I watched it happen with my students, but I keep getting stuck at the point that– here we all are talking about it with words.

]]> Comment on Writing: Middle Voice by Mediated Identity – Network Reasoneon http://heuretics.wordpress.com/2010/04/01/writing-middle-voice/#comment-1224 Sat, 12 Feb 2011 18:36:18 +0000 http://heuretics.wordpress.com/?p=989#comment-1224 [...] Ulmer’s blog entries: “Duende” & “Middle Voice” ← key for Exercise [...]

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