Posted by: glue | May 19, 2008

Clothespin/Brackets

The scene of memory is a scene of writing. The clothesline, hanging up the laundry with clothespins, playing in the sun, mom at her chores, one bum, another bum, underlies every assemblage, citation (why do you quote so often?).

darkroom pin-ups

‘Like Barthes, Derrida conceives of text as constituted by discrete reading units. Derrida’s conception of text relates to his “methodology of decomposition” that might transgress the limits of philosophy. “The organ of this new philospheme,” as Gregory Ulmer points out, “is the mouth, the mouth that bites, chews, tastes. . . . The first step of decomposition is the bite” (57). Derrida, who describes text in terms of something close to Barthes’s lexias, explains in Glas that “the object of the present work, its style too, is the ‘mourceau,’ ” which Ulmer translates as “bit, piece, morsel, fragment; musical composition; snack, mouthful.” This mourceau , adds Derrida, “is always detached, as its name indicates and so you do not forget it, with the teeth,” and these teeth, Ulmer explains, refer to “quotation marks, brackets, parentheses: when language is cited (put between quotation marks), the effect is that of releasing the grasp or hold of a controlling context”‘ (58). George Landow, Other Convergences.

laundry emblazoned

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

Categories

%d bloggers like this: